From offer to scroll-stopping ad
in minutes
Describe the offer, or the exact video you picture. We script, storyboard and render it in the style you choose, sized for every platform.
Sized and exported for
Nobody opened the app looking for you.
You've got photos of finished work and they're good photos. Put them in a slideshow with music over the top and you've made something that works on people who were already looking for you, which on a feed is nobody.
Your ad turns up between a friend's holiday pictures and a video of someone's dog. You get about a second to give a person who wasn't thinking about their garden a reason to stop thinking about anything else.
Knowing that doesn't help much. You still have to work out what goes in that second, and then actually make it.
Not a slideshow
Written as an ad, with a reason to stop in the first second.
Not built for a marketing team
The serious tools assume you have one. This assumes you don't.
Not a shoot
No crew, no day out, no kit you'd have to hire.
What Kiin does with one line about the offer
Say what you're offering and how long you want. We write the script, storyboard it scene by scene, render it in the style you pick and cut it to size for each platform. You see the script before anything renders.
The ad you'd have made, and the one that stops the scroll
Side by side
What you'd have made
Photos of finished gardens, music over the top, logo at the end.
Works on people who were already looking for you.
With Kiin
Overgrown by March? · Full spring clean-up from £180 · Booked in 48 hours · One tap to book.
Opens on the problem, closes on one action.
Same garden, same price. One of them is an advert.
Your work, not stock footage
Start from your own photos
Upload what you've already shot and the ad is built around your actual jobs. A generic garden looks like a generic garden, and people can tell.
Your footage
Reframed, not cropped
One ad, every size
Vertical for stories and reels, square for the feed, wide for YouTube. Each one recomposed so the subject stays in frame, rather than the same video squashed into a different box.
- Vertical for stories and reels
- Square for the feed
- Wide for YouTube
- Recomposed, so the subject stays in frame
The script first
See it before it renders
Three scenes as words and timings, editable before anything is made. Changing a line at that point costs nothing; changing it after the render costs a render.
What comes back
One line in. Here is the whole fifteen seconds, as written.
The script is yours before the render is. Change a line, change the offer, or take it and film it yourself.
The problem they recognise
Scripted scene
"Garden gone wild over winter? Knee-high grass, beds full of leaves, and the neighbours have already been out."
The offer, in full
Scripted scene
"Full spring clean-up from £180. Cut, edged, beds cleared and everything taken away. No hourly rates and nothing added on the day."
One action
Scripted scene
"Booked within 48 hours across east London. Tap to pick your date."
The first second is the whole job
Plenty of tools will make you a nice video. A nice video that opens with your logo is still an ad nobody watches, because the person scrolling has no reason to care who you are yet.
Kiin writes the hook first and builds the rest behind it.
Making the video was never the hard part. Knowing what belongs in the first two seconds is, and that's the part a render engine can't decide for you.
The problem before the promise
The ad opens on the thing the viewer recognises, not on your company name. Recognition is what buys you the next two seconds.
The offer before the middle
Price, terms and the catch land inside the first three seconds. Ads that hold the offer back are written like trailers, and a trailer assumes people are already watching.
One action, not three
Call, message, visit the site and follow the page is four decisions. The script ends on one.
And somewhere is the rest of it
It works. Somebody stops, watches the fifteen seconds, and taps.
They land on your homepage. It doesn't mention the spring offer, it was last touched three years ago, and it asks them to get in touch without saying what happens next or how long you take to reply.
You paid for that tap. The ad did its job in one second. The page had thirty and lost them.
The rest of it is already here
Whatever brought you here, it was never the only job on the list.
Everything Kiin makes draws on the same business: the same services, the same brand, the same way you describe your own work. The proposal knows what’s on your site. The deck looks like the ad. Nothing gets explained twice.
A different tool and a different login every time. Or one place.
Nothing goes out until you've watched it
The script before the render
Three scenes as words and timings. Change the hook, change the offer, change the length, all before anything is made.
Your offer, your numbers
Prices, dates and terms in the ad come from what you told it. Nothing is invented, and anything we couldn't work out is flagged for you to fill in.
What you claim is on you
Advertising is regulated. Discounts, comparisons and superlatives all carry rules about being able to back them up, so make sure the offer in the ad is one you can honour and evidence.
Scene 1 · Hook
Not yet written. Your offer and price will be used unless you change them.
Kiin's draft
"Garden gone wild over winter? Full spring clean-up from £180, booked within 48 hours."
Frequently asked questions
Something we haven't covered? Ask us.
Start with the offer
One line about what you're offering and how long you want it to run.
Free preview, no card needed